I couldn't put it down. As the story progresses the reader follows his life through the school years and into young adulthood. Thats suggested from the starta scene at a public park that under another director mightve been rendered chaotic but that under Taorminas eye is cut down into digestible insert shots which seem to archive each action or gesture: a hand trying to spark a cheap lighter, another working to retune a guitar, yet another grasping an ad-perfect glass of lemonade. Ham on Rye opened at the Brattle Theatres Virtual Cinema on October 23, where it remains available to rent now. The second half is darker and lonelier, following those left behind, especially Haley (Haley Bodell), who ran from the diner when her humiliation became too great and is now, like all her fellow rejects, apparently condemned never to escape this world of duck ponds, wisteria-draped driveways, and doorbells that are never answered. 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I just wanted to make these dots between them, and theres no real reason for it. To most patient eyes, it will look like a gentle ode to those who seemed part of the crowd in high school, then simply didnt transform into the kind of adults their peers chose to be. Running time: 1 hour 25 minutes. 1985. My writing partner Eric Berger was very, very keen on being as cryptic and removed as possible from mentioning what is essentially the basic premise of the film, explained Taormina, whos from Long Island and based in Los Angeles, during a zoom call that also included the films producer/first assistant director David Croley Broyles and its cinematographer Carson Lund. As Chinaski progresses through grammar school, the focus of Henry's attention is on sports, violence, and girls. Where Kaufman jams his long sweeping camera shots and claustrophobic car journey with anxious forced repartee, Taormina pushes his lens uncomfortably close for extended runs with little dialogue. Written in the first person, the novel follows Henry Chinaski, Bukowski's thinly veiled alter ego, during his early years. Its a day were going to remember for the rest of our lives, says the opening dialogue, and the generic phrasing blurs certain lines to build upon the very particular biorhythmic point where Taorminas movie takes place: A kid who says that might be talking about their prom, or about having sex, or about moving out, or maybe even about school graduation, among other possibilitiesbut no matter what, theyre probably talking about something meant to happen in the period that weve come to calling the teenage years. Chinaski, growing up poor in Los Angeles during the Great Depression, is shown developing into a sarcastic loner. Director of photography: Carson Lund For example, Henry's parents, like Bukowski's, had met in Germany after World War I. The farmhouse seems to change shape, furnishings and configuration. With the snow falling heavily, the ride back itself may only substitute one danger for another. Promotional materials bill Tyler Taorminas Ham on Rye as a coming-of-age comedy, comparing it to Dazed and Confused and John Hughes films. Ham on Rye can be taken as an allegory for middle-class suburban life in America, but its got added value as a potent mood piece, accomplished with a bare minimum of means. 49 pages of chapter summaries, quotes, character analysis, themes, and more everything you need to sharpen your knowledge of Ham on Rye. The film premieres at the Santa Barbara International Film Festival this week, and the official site is here. So to both make and spruce up the required disclosure, let me say that I not only consider Carson Lund a close friend, but that I also consider myself a dedicated fanof his film criticism (which also includes notes for the programs of the Harvard Film Archive), his music, and now of course his filmmaking practice, which in addition to his cinematography for Taorminas feature also includes a short film that he produced and directed in 2016, Starr Farm, and a screenplay that he co-wrote and hopes to direct sometime in the near future. , which starred Haley Bodell as Poll Flowerpot, a 12-year-old cynic [who] discovers the absurdities of the world; the site is down now, but if you search around you can still find all three episodes on certain video-uploading hubs. [3] It begins with Chinaski's early memories. This deliberately coy prologue begets the opening credits sequence (introducing characters with more close-ups of little details, like a tie being fastened or a nail being painted), which then feeds directly into the films real first section, where for about 20 minutes small cliques of seemingly high school-aged kids walk through various neighborhoods on their way to an unspoken happening thats eventually revealed to be a literal ceremony at the center of Taorminas debut feature. Ham on Rye makes no such assurances which of course makes it more honest, even if its oblique lessons will be heard by a tiny, tiny fraction of the number who navigated adolescence by the. Ham on rye (2022) . But it is also Inauguration Day 2021 and Ham on Rye is heartening evidence that even throughout the last few years of permanent, screeching crisis, there have been filmmakers paying attention to the smaller things, to the more mundane cruelties of our world, that will require much more than a change of administration to address. But in the bazillion short stories and poems and recorded interviews, you do eventually start to hear some of the same stories again. Ham on Rye despite having been published in the early 80s has 60s spirit written in between the lines. I was like, this is going to be fun to shootits like shooting a bunch of still lifes, he continued. Can anyone with expertise or understanding please explain? We're pleased to share the exclusive trailer premiere for Tyler Taormina's Ham on Rye, which will be released virtually on October 23rd in 20+ theaters nationwide.An unorthodox teen coming-of-age movie with an increasingly sinister twist whose details are best left unspoiled, Taormina's debut feature premiered at last year's Santa Barbara International Film Festival before making its . People who were on heroin. Following a nocturnal tour of the now much-less-populated location (in a scene that for me betrays Lunds appreciation of movies by landscape-minded film artists like James Benning and Peter Hutton), were on the wrong side of the tracks, where the films atmosphere, mood, and suggested cultural signifiers all land in a much darker and frankly lower-class place than before (this change perhaps betraying some of Taorminas own stated influences for, and the films of David Lynchboth of which seem to undergo serious temporal shifts as nightfall commences). For independent filmmakers, Los Angeles is a city of contradictions: it's both an ideal place to congregate with likeminded artists and craftspeople, and a truly daunting place to actualize on . Ham on Rye makes no such assurances which of course makes it more honest, even if its oblique lessons will be heard by a tiny, tiny fraction of the number who navigated adolescence by the compass of John Hughes. Michael Berkowitz, a veteran of the civil rights and anti-war movements, has been Land Use Planning Consultant to the government of China for many years. Like a spectre left haunting the grounds after her fellows have moved on, the Haley character spends the second half of Ham on Rye in emptied-out spaces like bedrooms and street curbs, completing the articulation of a metatextual idea first initiated by those kids-television cameosthe image of the child stars left behind. To make matters worse, Chinaski develops horrible acne so severe that he has to undergo painful, and mostly ineffective, treatments, essentially becoming a human guinea pig for various experiments thought up by his uninterested doctors. Brewer, Gay. Get help and learn more about the design. Turns out, Taormina mistrusts the high school dramedy as much as you do, and hes here to skewer its inanity with odd insight and deep, perhaps angry melancholy: a cocktail stick of profundity pins this hoagie through the heart. 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Increasingly fearful Louisa insists on returning to her own apartment. Chinaski, growing up poor in Los Angeles during the Great Depression, is shown developing into a sarcastic loner. On this Wikipedia the language links are at the top of the page across from the article title. Production companies: Tago Clearing Film Studio, Omnes Films Though calling them characters is a bit of a stretch. Ham on Rye (1982) is not only a loosely constructed autobiographical novel of Bukowski's distressingly poor childhood during the Depression, but it also qualifies as the novelist's version of. Ham on Rye Review: Coming of Age, With Existential Unease, https://www.nytimes.com/2020/10/22/movies/ham-on-rye-review.html, From left, Haley Bodell, Gabriella Herrera and Audrey Boos in Ham on Rye.. Werent most of us? Ham on Rye, the feature film debut of Long Island-native, Los Angeles-beached Tyler Taormina, is one of the strangest and most discomfiting "coming-of-age" films of recent memory.I put "coming-of-age" in quotes because, yes, ostensibly it follows children between the ages of 15 and 18 becoming Something Else, Something Bigger. Love all Bukowski work. Transgression becomes even more unfathomable when an entire global generation seems to share the same path in gentrifying the cities, Taormina wrote for an interview published by Film Comment (also suggesting one of his films many productive contradictionsthat its a lament for the loss of a suburban experience produced almost exclusively in urban spaces). This type of description does not venerate or idealize the city, a contrast to other so-called "Los Angeles Novels". Bukowski keeps his descriptions of his hometown grounded in reality, paying more attention to the people that make up Los Angeles than to the city itself. I trust that I am in honest company when I confide this, but still I am tentative to say it. Reaktion Books, London, 2012. p. 146. The novel focuses on the protagonist, Henry Chinaski, between the years of 1920 and 1941. Image from Ham on Rye, courtesy Factory 25. The vista of the road was super important, or houses that were pushed far back from the curb, said Taormina. Written in Bukowski's characteristically straightforward prose, the novel tells of his coming-of-age in Los Angeles during the Great Depression. Charles Bukowski. with miners, and was an officer of SEIU. I think in the first half the film is trying to make that same impression for the viewer a little bitall of this excess, all of this gravity thats applied to the mundane but ends up meaning so much [later on] that attention to the details of mise en scne was part of what made me interested in working on it. Even the oddest moves seem welcome. State Wire: Affordability Limits MAs Higher-Ed Attainment Goals, So Much For Contracts: State Report Blasts MBTA Contractor. So not only do we shoot La Caada as the stand-in for our kind of upper middle-class neighborhood, but we also shoot in the deeper parts of the Valley more north, like Sylmar, where it [suggests a different class]., Yeah, Sylmar was more the latter half of the film, feeling all the dread and the emptiness, continued Broyles. Inside the shop, the boys form one line, the girls another, music begins and, with hand gestures for language, the kids pair off into couples. The mood is now fairly forlorn, best embodied by Sloan (Cole Devine), a 20-something cook at Montys whos mourning some kind of loss. Same goes for something that Taormina said to, in early 2019, which seems way too key not to reproduce here: The script was born through that feeling of nervous confrontation to [rituals] and then it bloomed into What happens to those who dont get selected?,, Yet by placing its emphasis on the shared cultural detritus of American teenagerdom, like all those tokens of first cars and first kisses seen in the loving insert shots that dominate the first halfrather than underlining its more specific themes or subtexts (which Broyles, Lund, and Taormina say were pared back even further than expected during editing), reaches a very interior place: an evocation of an experience, or maybe even just a feeling, rather than a, Transgression becomes even more unfathomable when an entire global generation seems to share the same path in gentrifying the cities, Taormina, (also suggesting one of his films many productive contradictionsthat its a lament for the loss of a suburban experience produced almost exclusively in urban spaces). It focuses instead on the vaguely insidious side of life that we not only tolerate, but embrace. a simple language is used, and bombs go off without much fanfare. Brewer, Gay. Raw, simple, nihilistic hedonism with a great dash of bitterness and violence. and I read PO, HOR, Women in that order, personally, just because I found PO first. The post-facto rationalizations they concoct for their hostility, however, involve his inability to play sports and his being viscerally revolted by cruelty to animals, the latter being one of the favorite past-times of neighborhood men and boys alike. More curious about the origin of the prop than about its meaning, I asked Taormina where the small plaything came from. Director: Tyler Taormina. | Mary Cybulski / Netflix. And then, also being from the suburbs myself, youre dealing with these signifiers that are very familiar to me. The air is often dead, even when people are ostensibly being social: Asking a question or making an observation is no guarantee anyone will say anything in reply. And I think we took that philosophy and mindset and applied it to everything. Bukowski's words aren't going anywhere at this point. He never experienced love. Original Language: English. For example, Henry's parents, like Bukowski's, had met in Germany after World War I. Ham on Rye is a captivating story that makes you attached to the book all the way to the end. Erections, Ejaculations, Exhibitions, and General Tales of Ordinary Madness, The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship, Portions from a Wine-stained Notebook: Short Stories and Essays, Charles Bukowski: Locked in the Arms of a Crazy Life, https://en.wikipedia.org/w/index.php?title=Ham_on_Rye&oldid=1056996657, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 24 November 2021, at 20:05. 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